Betti-Sue Hertz and Sreshta Rit Premnath, Editors

What can be said for the radical aesthetics and the performativity, whether visual or gestural, that have become central to the many progressive protests in recent years?  The Protest and The ...

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Waiting for Omar Gatlato

Natasha Marie Lorens, Editor

Artists who belong to Algeria are caught between a national mythology that does not represent them and a historical space blanked out by state-sanctioned amnesia on both sides of the Mediterranean. ...

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Posing Modernity: The Black Model from Manet and Matisse to Today

Denise Murrell

This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of ...

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Leah Pires

Finesse, in its most general sense, denotes skill and discretion when handling a situation— even the subtle manipulation of circumstances to one’s advantage. This may involve clever maneuvering, ...

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The Expanded Subject: New Perspectives In Photographic Portraiture From Africa

Joshua I. Cohen, Sandrine Collard, Giulia Paoletti

From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallise the sitter’s identity and social ...

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Open This End: Contemporary Art from the Collection of Blake Byrne

Joseph R. Wolin

The exhibition catalogue for Open This End features selections of both iconic and lesser-known works from some of the most significant artists of the last 50 years. The title, from a 1962 Warhol ...

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Rembrandt's Changing Impressions

Robert Fucci

This extraordinary presentation highlights a selection of some of the most noteworthy changes that Rembrandt made to his prints over the course of his career. Rembrandt manipulated his copperplates ...

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Goddess, Heroine, Beast Anna Hyatt Huntington's New York Sculpture, 1902–1936

Anne Higonnet

Published on occasion of the exhibition Goddess, Heroine, Beast: Anna Hyatt Huntington's New York Sculpture, 1902–1936, this exhibition catalogue celbrates the life and work of New York ...

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Multiple Occupancy Eleanor Antin's "Selves"

Emily Leibert

From 1972 to 1991, Eleanor Antin (born 1935) created multiple personae of different genders, races, professions, historical contexts and geographic locations. The artist called this motley group – ...

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