Publications
Common Love, Aesthetics of Becoming
The essays in Common Love, Aesthetics of Becoming take up the question of "love" in various ways. The point of departure is Michael Hardt and Antonio Negri's discussion of ...
View DetailsSocial Forces Visualized Photography and Scientific Charity, 1900–1920
Through essays, plates, and reproductions, the accompanying catalogue presents the range of photographs and other materials in the CSS records. In the foreword, Maren Stange revisits her foundational ...
View DetailsSocial Forces Visualized Photography and Scientific Charity, 1900–1920
Through essays, plates, and reproductions, the accompanying catalogue presents the range of photographs and other materials in the CSS records. In the foreword, Maren Stange revisits her foundational ...
View DetailsEdward Koren, The Capricious Line
Edward Koren is best known for his cartoons and covers for The New Yorker magazine. This book explores the full range of the art he has produced during the past five decades: original ...
View DetailsEdward Koren, The Capricious Line
Edward Koren is best known for his cartoons and covers for The New Yorker magazine. This book explores the full range of the art he has produced during the past five decades: original ...
View DetailsEdward Koren, The Capricious Line
Edward Koren is best known for his cartoons and covers for The New Yorker magazine. This book explores the full range of the art he has produced during the past five decades: original ...
View DetailsPictures for Books, Photographs by Thomas Roma
Like so many of the best photographers, Thomas Roma has a flair for thinking in book form. His first book, the limited-edition and handbound volume Brooklyn Gardens (1980), affirmed this flair ...
View DetailsModernism and Iraq
In the mid twentieth century, artists in the newly independent nation of Iraq experimented with a form of Modernism that they saw as a new and revolutionary artistic idiom for a secular national ...
View DetailsModernism and Iraq
In the mid twentieth century, artists in the newly independent nation of Iraq experimented with a form of Modernism that they saw as a new and revolutionary artistic idiom for a secular national ...
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