The Wallach Art Gallery at Columbia University and the Musée d’Orsay partner to present an exhibition entitled Posing Modernity: The Black Model from Manet to Matisse and Beyond in New York and Le Modèle noir, de Géricault à Matisse in Paris. The exhibition will be on view at the Wallach from October 24, 2018 to February 10, 2019, and will then be expanded at the Musée d'Orsay from March 25 to July 14, 2019.

 

This exhibition explores the changing modes of representation of the black figure as central to the development of modern art. The models' interactions with and influences on painters, sculptors and photographers are highlighted through archival photographs, correspondence and films. The artists featured in the exhibition depicted black subjects in a manner counter to typical representations of the period. The works included highlight the little-known, multiracial aspect of each artist’s milieu.

In New York, the presentation focuses specifically on the black female figure, beginning with Edouard Manet’s 1860s portrayals of Laure, the model who posed as the maid in Olympia. In Paris, a broader and expanded treatment of the black figure begins with portaits by Marie-Guillemine Benoist and Jean-Louis André Théodore Géricault at the start of the 19th century.

In both New York and Paris, the exhibition explores the work of Manet’s Impressionist-era cohort, including Frédéric Bazille, Edgar Degas and the photographer Nadar; sculptors including Charles Henri Joseph Cordier and Jean-Baptiste Carpeaux; paintings, drawings and prints of Henri Matisse (before and after his 1930s Harlem visits); the portraiture of diverse artists of the Harlem Renaissance, including Charles Alston and William H. Johnson; and the legacy of these depictions for successive generations of postwar modern and contemporary artists, from Romare Bearden and Faith Ringgold through to the current moment.

By taking a multidisciplinary approach that focuses on the connection between the history of art and the history of ideas, the exhibition will study aesthetic, political, social and racial issues as well as the realm of the imagination—all of which is revealed in the representation of black figures in visual arts from the French and American abolition eras to the present day.

The curator of the exhibition in New York is Denise Murrell, Ph.D., Ford Foundation Postdoctoral Research Scholar, Wallach Art Gallery at Columbia University.

The curators for the Paris exhibition are Cécile Debray, Director of the Musée de l’Orangerie, Stéphane Guégan, scientific advisor to the President of the Musées d’Orsay and Orangerie, Denise Murrell, Ford Foundation Postdoctoral Research Scholar, Wallach Art Gallery at Columbia University, Isolde Pludermacher and Edouard Papet, curators at the Musée d’Orsay.

The exhibition is based on Denise Murrell’s 2013 dissertation for Columbia University’s department of art history and archaeology, as is the forthcoming Posing Modernity catalog, to be co-published by Yale University Press. The exhibition has been developed through the generous support of the Ford Foundation. It is organized by The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, and the Etablissement public des musées d’Orsay et de l’Orangerie, Paris.

For more information on Musée d'Orsay please visit: www.musee-orsay.fr/en/home.html

Date

October 24, 2018 - February 10, 2019

Curated By

Denise Murrell, PhD, Ford Foundation Postdoctoral Research Scholar at the Wallach Art Gallery.

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Édouard Manet, Lady with a Fan also known as Baudelaire's Mistress (Jeanne Duval), 1862. Oil on canvas; 89.5 x 113 cm. Museum of Fine Arts, Budapest.

Frédéric Bazille. Young Woman with Peonies, 1870. Oil on canvas, 23 5/8 x 29 1/2 in. Courtesy the National Gallery, Washington, DC

Henri Matisse, Dame à la robe blanche (Woman in White), 1946, Oil on canvas; 96.5 x 60.3 cm. Des Moines Art Center, Acc. No. 1959.40. Courtesy The Matisse Foundation. © 2017 Succession H. Matisse / Artists Rights Society

Charles Alston, Girl In a Red Dress, 1934. Oil on canvas; 28 x 22 inches. Collection Dr. Harmon and Mrs. Harriet Kelley.