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WALLACH TALKS | THE PROTEST AND THE RECUPERATION

A Curator’s Perspective with Betti-Sue Hertz. In this overview of The Protest and The Recuperation, curator Betti-Sue Hertz shares insights on the global art in the exhibition and its alignment ...

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Wallach Talks: MODA Curates 2021 with Erin Gallagher

Join us on Instagram on Thursday, April 1 for a talk with curator and 2021 MODA Curates fellow Erin Gallagher about the exhibition, ...

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Wallach Talks: MODA Curates 2021 with Marcus Jamison

Join us on Instagram for a talk with curator and 2021 MODA Curates fellow Marcus Jamison about the exhibition, ...

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The Future of Protest in a Post-Digital Age - Virtual Program

In "The Future of Protest in a Post-Digital Age",  Anthony Downey outlines the impact of digital technologies on contemporary protests. Throughout this short presentation he poses a ...

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Feminist Aesthetics of Protest in Contemporary Chile

Over the last decade, Chile has experienced a succession of popular uprisings, including the 2011 student protests, the Tsunami feminista in 2018; and ongoing national demonstrations ...

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Columbia at Home | Uptown Triennial 2020

Join Director and Chief Curator Betti-Sue Hertz for a virtual tour of Columbia’s Wallach Art Gallery’s latest exhibition, "Uptown Triennial 2020." Hertz will be joined by artist Xaviera Simmons ...

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Global Social Practice: Art, Commoning and Urban Imaginaries

CONFERENCE PANEL: Visionary artists and architects present pathways for reimagining cities through on-the-ground, solutions-based projects. Both conceptual and pragmatic, these projects have emerged ...

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Uptown Triennial 2020 Town Hall: Building for the Future

The ways in which we interact with personal and communal spaces has been transformed by the COVID-19 pandemic. In this town hall artists, activists, entrepreneurs, and community leaders come ...

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Harlem Renaissance Men: Johnny Hudgins and Jack Johnson - Part 2

Join Robert O’Meally for the second part of this two-part series exploring the lives of Harlem Renaissance trailblazers.

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